Some of our favorite sites:
Little Green pig Theatrical Concern
Past Mouthings-Off:
Seeing the Refrigerator in the Road
Why Improv Is Absolutely Essential
Soft Focus and the
Go Ahead, Screw Up.
Creativity: What Is It
Art of Telling a Story
It's Good for You!
and Who Has It?
Mouthing Off
Avoiding Regret
Regret for the things we did can be tempered by time; it is regret for the things we did not do that is inconsolable.
Many of us crucify ourselves between two thieves--regret for the past and fear of the future.
The drive from Wilmington, N.C., to Chapel Hill is about 2-1/2 hours. I used to make the drive pretty regularly when I was auditioning for film and TV projects. The drive back from Wilmington seemed especially long when I would think about the things I should have done in the audition I'd just completed.
I could always think of better choices in retrospect, a gnawing feeling most actors know too well. Indeed most of us know it from the broader spheres of work interviews, social interactions, dating, and the like. Of course I realized I couldn't change what had already happened in those auditions. But was there a way I could adapt to future situations so that I could avoid regret later?
I resolved to avoid regret after auditions by making stronger choices during them. No longer would I feel I hadn't given the casting people a good sense of what I could do. Perhaps I would make the wrong choice, perhaps they wouldn't like what they saw, but at least I'd know they had actually seen me.
Honestly, I'm not certain that this change in approach made me better in auditions. I think it did. I felt more confident in making stronger choices. I am certain, however, that I felt happier after making my no-regret resolution. I could drive home from the audition knowing I had left it all on the table and left nothing in reserve. I had done my best and that was all I could ask of myself and all I could do to get the gig.
The most frustrating thing to hear as an improv director is that a player held back because s/he was unsure of where things were going. Why? In improv you're not supposed to know where you're going. The strong choices you make in the moment dictate the direction of the scene and the entire performance.
By making strong choices despite uncertainty, an improviser moves toward greater certainty. It might not work out great but at least it'll be energetic, at worst an interesting bang rather than a boring whimper. Moreover, the improviser avoids having that horrible feeling after a show of knowing s/he could have done better.
I saw this point illustrated in another very different arena. In one of the early stages of the 2007 Tour de France, Australian Robbie McEwen crashed 12 km from the finish. He was hurt and things looked very desperate for him. His teammates gathered around and led him toward the finish line, just trying to catch the pack for a respectable time.
McEwen and his team kept coming even if it was too little too late. At the finish the announcers excitedly described the mad sprint over the course of the last kilometer. First, it looked like one rider had it, then another, and then, out of nowhere... McEwen! He had worked his way through the 170-rider peloton and won by a nose. He was going so fast at the end that he looked like a motorcyclist among bicyclists.
Later, the battered and exhausted McEwen told the press that he focused on not panicking after his wreck. He simply tried to get into a good cadence and make the best time he could with the help of his teammates. He took it moment to moment, trying not to focus on the past disaster but with no guarantee and little hope of a happy ending.
McEwen said he knew he could be satisfied if he knew he had done his best. That he wound up winning the stage, he added, was something a sweet bonus.
In other words, McEwen took an improviser's approach to this race. He made a strong choice toward a positive outcome, focused on the moment and not on the past mistake or the uncertain future, and created the triumph he could have hardly dared hope for. And I believe McEwen when he said he would have been satisfied with his effort even if he hadn't won.
You will inevitably encounter failure in your life and you will make mistakes. You won't get the job you want. You'll put your foot in your mouth. Someone you like won't like you. Regret, knowing you could have done more or better, will make those disappointments much more difficult to accept.
Mahatma Gandhi said, "You may never know what results come of your action, but if you do nothing there will be no result."
I believe that failures can be successes if you remove the component of regret. You can feel good about your effort and you can learn from it. Or maybe, just maybe, by making and committing to strong choices, you will create the success you seek.
-Greg Hohn, Director
We have
video footage
on the site!
Transactors Improv is developing a serial medical drama, City of Medicine, which debuts
Oct. 26 at Common Ground
Theatre! Directed by Rachel Klem, the monthly shows will feature guest stars from the
theatrical and medical communities and will also have updates so you can get caught up with the
evolving story lines and characters. Show time is 8 p.m. at 4815B Hillsborough Rd., Durham, and tickets are $10
($7 for students). Visit Common
Ground Theatre or call (919) 698-3870 for reservations and directions.
Anoushka and friends were recently cleaning up at the Haw River. They stopped on the trail
and 'Noushie was babbling on about something when her friend yelled, "Ack! You're stepping on a
snake!" Anoushka had unwittingly stepped on a 14-inch-long baby copperhead (baby copperheads'
bites are more lethal than that of the adults') with open-toed sandals. Somehow, both the snake
and Anoushka walked (or slithered) away unharmed.
Dan loves the beach!
On his return trip from the San Francisco Improv Festival, Greg got caught in a lightning storm
at 12,000 feet--on his motorcycle! "That's the scaredest I've ever been," he reports.
Jeffrey's movie, What The Frock!?, played at the Palm Springs International Short Film
Festival in August. The film will also be shown at the Ava Gardner Film Festival in Smithfield
and The Sometime in October Film Festival in Wilmington.
Jill rappelled down the press box at her high school when she was 15.
Mike knows how to drive big trucks!
Nancy was recently interviewed about eating locally by a News & Observer food writer. No,
it's not because she doesn't get out of town much; she's just a huge fan of the Carrboro Farmer's
Market!
Rachel is directing The Miss Firecracker Contest for Ghost & Spice Productions at
Common Ground Theatre in
October. She is also directing City of Medicine, which premieres Oct. 26 at
Common Ground Theatre.
Steven has just started a new job with Easter Seals: ASAP, the Community Mental Health component
of Easter Seals North Carolina. He will be a community support professional working directly with
adults, children, and their families. Steven would like to dedicate his Transactors performances
to the memory of his niece, Joyce Michelle Warnock, who was 15 when she passed. Her smile,
laughter, and love for others will never be forgotten.
Transactors Improv has T-shirts! They're black with our lightbulb on the front and our logo and
motto on the back in white. Available in S, L, and XL sizes, they are 100% cotton and cost $10.
Contact us at
transactors@transactors.org if you want one or even more.
To subscribe to our e-mailing list, write
transactors@transactors.org.
- Sydney Smith
- Fulton Oursler
Autumn 2007
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